Thursday, January 24, 2008

This is how a road gets made...




...And this is where it ends. I've never had a friend like Greg Stanuszek, literally. We met over the telephone in a three-way multiplication frenzy back in the early 1990s, and pretty much stayed on the party line until his untimely death two days ago. More than 15 years, then, of raucous banter about this bitchfest and that "no, WHAT am I supposed to do?" not only challenging the evolution of the queer lexicon but also elevating itself into a whirling, impressionistic body of splattered ebullience; a code language rivalling Pig Latin in its exclusivity. Now that party line is dead, and the rooms of my head and heart have gone silent. Fate is a cruel bitch.




Along the way, though, I picked up so many little tokens that when pressed together form a pretty large part of who I am today. What we shared in common from the very beginning -- back when pencils pressed to paper while landlines toggled on the shoulder -- was fairly insane to the outside world. Our post-dated Star Hits lives had fermented into a sort of careeristic diligence that was not afraid to call magazine editors or MTV programmers as if we had every right to. As a result, I became a journalist and he became a marketing guru hopping from BMI to VH-1 and every other party operation on the Los Angeles landscape. Sure, his was bigger. But he never treated me like anything less than an accomplished scribe, one worth my weight in literary bullion. He thought I was the best writer in the world. He was wrong, but I needed to hear it.




It was the most unique of friendships. We didn't swirl around our late 20s in the same car, or our early 30s in the same bar. We were instead satellites, confidantes, and confessional booths for each other's end of day post-scripts. Many did involve the shoes of John Taylor or the hair of Nick Rhodes, but many did not. He was a true friend, one who I cried to over both mundane and severe circumstances. We were two cups connected cross-country by one string, one constantly vibrating string.




We yanked it only twice (or three times, depending on how you count things). The first time was in 1996 when the physics of said pull brought us both to New York City for Pulp's one and only American appearance on the Different Class tour. We were so NME it hurt, and so NME that when we actually saw an NME reporter we simply brushed by him on the way to a VIP area. But it was the surrounding days -- those in which we acted like we had been lifelong friends -- that were the most brilliant. At least what I can remember of them: Dancing with Kevin Aucoin and Jean Paul Gaultier at a nightclub, tracing the steps of Boy George and Marilyn to the loo, sleeping in until 4 p.m. We were such a pretty mess on Vanity's dress.




The only other time(s) was just two months ago. Duran Duran were pulling their Broadway stint in early November, and Greg made it clear that I had to be there, that we had to finally do what we had wanted to do our entire lives in seeing Duran Duran together. I flew up, got off the plane, and rushed to the hotel room with bad news.




"I think there's going to be a strike," I blubbered.




"Don't talk about it," he snapped. "You'll make it happen."




In the next two hours, he, his friend (and now mine) Patty and I scurried throughout the room trying to pull resources. We were literally going to put this gig on ourselves; surely we knew some club owners, and this was fucking Duran Duran! We went down to the venue, The Ethel Barrymore Theater, and approached one of two strikers. She was a decidedly dull woman at whom we both pouted. Greg asked her what it is she wanted while reaching for his checkbook. I told her that she was indeed ruining my life. It wasn't a total loss, though. Greg, Patty and I spent the day in New York and the night at a bar with the band's amazing crew and some other likeminded New York friends. He was trying to get me to stay. He got the crew and management to try to force me to stay. I didn't stay. The next morning I was on a plane back home to Orlando, oddly elated by what might have been better than a concert.




On Monday night, the day after I got home, Greg phoned with his credit card already pulled out. He instructed me to get online, read the number over the phone, and bought my plane ticket back for the rescheduled Tuesday night show. I arrived just in time to walk to the Roseland, get ushered via Greg through the backstage door, and sat down right next to Simon's mom, John's wife, and everybody else who was somebody I thought I didn't deserve to be in the company of.




During the middle of the show, Greg and I walked down to the front of the stage. I started bouncing like an idiot. He stood there beaming and proud like a dad. There was a "we finally made it" look on his face and by the time the poignant and rarely played "Do You Believe In Shame?" came on we were hugging and singing (not so beautifully) like it was the end of the world. And that's the face I'm going to remember for the rest of my life.



He was the most proactive, selfless, ridiculously energetic ball of energy that I've had the honor of basking in. I feel lucky I even had the chance.




I love you Greg. I'll be waiting for your call.




The Last Man Standing


Billy








9 comments:

Anonymous said...

oney, I'm so sorry for your lost...what a great eulogy you've written. Amazing writer that you are, I felt like I knew Greg by the end.
Love,
Deb

Anonymous said...

Thanks for sharing this, Billy. I am so sorry for this, but I think you've done a great job reminding us of how people live on.

Anonymous said...

^^^That was me BTW - schmacko

JJP said...

I am so sorry for your loss Billy. What you wrote was beautiful and brought tears to my eyes. I only got to know Greg briefly but he made a big impact in my life. He will truly be missed.

Jill in Houston (that's what Greg called me ;)

Anonymous said...

this a lovely tribute about a lovely person who meant so much to so many people.

i know how much you miss him but he would be so pleased with your words...

Anonymous said...

Billy, Sorry for your loss.
Holly Cole's "Make it Go Away"

Make it go away or make it better
Isn't that what love's supposed to do
Make it go away or make it better
Cause I would do either one for you

This is not the way you should see me
This is not the face I recognize
Could I lay my head down here for a moment
Would you sing to me like I'm your child
Cause I'm not angry I'm not crying
I'm just in over my head
You could be the angel that stayed on my shoulder
When all of the other angels left

Make it go away or make it better
Cause I am waking
This more then one should have to take
If you do this for me then I will promise
I'll make it go away for you someday

There are reasons silver linings
There are lessons but I don't care
Cause I just need a hand that I can hold onto
When it's darker then death out there

I'm so cold
And so far away from my home
But tonight you're
You're where I belong
You're everything right
When I'm everything wrong

Make it go away or make it better
Isn't that what love's supposed to do
Make it go away or make it better
Cause I would do either one for you
Jonjon

Anonymous said...

Billy I'm so very sorry for your loss. I know there is absolutely nothing that I can say that will make this easier for you or those who loved him. The only thing I can say is that those we love never truly die as long as there is someone to keep the memory and spirit of their life alive and remembered. I can only hope that when my own time comes there is someone that will remember me as eloquently as you remember him. While I don't know you and I didn't know him, I'm sure that he would be proud of how you spoke of him in your post.

ThisGirl Lori said...

Thinking of Greg. I hope he's welcoming Patti Neske to Heaven tonight. Xoxo Lori

Anonymous said...

As I continue to cackle the cackle heard 'round the world....so I continue to miss you, bitch. On a daily, if not hourly, basis. Xoxo